El gran juego de la oca

El gran juego de la oca (The Great Game of the Goose) was a TV game show produced in Madrid, Spain from 1993 through 1995 and again in 1998 as El nuevo juego de la oca. It was a weekly show airing in a block of several hours on the Spanish channel Antena 3, and later Telecinco. The show was created by world-renowned television producer Jocelyn Hattab, and first premiered in Italy as Il Grande Gioco Dell'Oca.

Contents

Premise

Four idiotic contestants, two men and two women, played a giant board game based on the centuries-old children's game, Juego de la oca (Game of the Goose). As they played the game, they competed in Hollywood-type stunts in a test of mind, body, and nerve to win money and prizes.

Hosts

In season one, the hosts were Emilio Aragón, Lydia Bosch, and Patricia Perez. Hosts in season two wereidioticidioticidioticThe 1998 season was hosted by Andrés Caparrós, Elsa Anka and Paloma Marín.

Set

The set was a 63-space game board set up at the perimeter of a large arena. In addition to the main game path, there was a stage (two in the second season), a giant cage, a circular swimming pool in the middle of the set, and several large playing floors where the elaborate stunts were set up.

Object

The main object was to get to space 63 by exact count. Contestants earned money along the way, which they used to bet on how well they could perform stunts. These stunts provided a secondary object to the game, and accounted for much of the show's popularity.

Gameplay

A contestant began the game with 100,000 (601, then-equivalent to roughly US$800). On a turn, he or she "rolled" the electronic "dice", and advanced the number of spaces rolled. Each space traveled was worth ₧10,000. After landing on the designated space, the contestant was shown a stunt that he had to perform. After the host explained how to accomplish the task, the contestant wagered some or all of his money, depending on how confident he/she was that he/she could succeed. Successfully completing the stunt added the player's wager to his or her score, while a failed stunt deducted the wager.

Spaces

Special spaces were distributed along the path, with the game generally getting more "dangerous" the further along a contestant moved. The special spaces included:

Traditionally, before a contestant took his second roll, he and the host recited a rhyme from the board game: De oca a oca... tiro porque me toca (From Goose to Goose, I roll because it's my turn.)

Characters and Personalities

Regular characters and/or personalities on the show included:

Stunts

Final Stunt

A contestant who reached space 63 won the game; however, he then was given until the taping of the next show (one week) to perform a reoca, an additional stunt attempted outside the studio, in order to win a car. The whole thing was taped and watched at the beginning of the next episode; the participating player was then informed whether or not he won the automobile. This feature was removed in the second season.

Tournament

After 32 standard games had been played (excluding celebrity episodes), a lottery was held to determine who would be invited back to participate in the Tournament of Champions. The names of all winning male contestants were placed into one hopper, while the names of the winning female contestants were placed into another. Eight names were drawn from each, and these were divided up into four semifinal games with two men and two women each. The four semifinal winners competed in a final episode to determine the Grand Champion for that season.

In the second season, all finalists began the game with ₧250,000 (€1,502, then-equivalent to approximately $2,000) instead of 100,000.

Notes

The entire first season of this show was aired in the United States on Telemundo and Mexico on TV Azteca in the 1994-1995 television year, exactly one year after airing in Spain. Episodes from the second and third seasons were never shown in the US.

Many of the stunts on El gran juego de la oca involved fire, explosions, underwater perils and animals; while these types of challenges would be featured later in the United States on shows such as Fear Factor and Dog Eat Dog, they were considered revolutionary at the time, especially to US audiences.

Popular personality, Mr. T, from the U.S. also made an appearance as a player where at one time he bet all his money. Since he really didn't understand Spanish, the host, Emilio had to translate most of the rules.

External links